Felix Mendelssohn-Bartholdy:
Klavierquartett Nr. 2 in f-Moll op.2 (1823) - 26’
Klavierkonzert Nr. 2 in d-Moll op.40 (1837) - 27’

Anima Eterna Brugge
- Orchestra
Germany and different countries
Anima Eterna Brugge is an international orchestra based in Bruges, Belgium. Specialised in repertoire written between 1750 and 1945, the orchestra can vary its size depending on the repertoire, performing with anywhere from seven to eighty musicians. Historic performance practice is the theme running through the history of Anima Eterna. Every new project is steeped in an atmosphere of research, discovery and artistic experimentation. Since 2020, Anima Eterna has been working with four different conductors, each of whom is carving out their own artistic path. Giovanni Antonini is searching for a historic bel canto, Pablo Heras-Casado is taking on Bruckner, Bart Van Reyn is taking the orchestra along to the birth of the symphony and Midori Seiler is redefining the sound of the romantic era. Anima Eterna is committed to actively putting the orchestra members’ artistic research into practice on the stage, through innovative concert formats like Anima Insight and Atelier Anima – both in large concert halls as a full orchestra and in more intimate settings playing chamber music.
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Photos
Projects
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Anima Eterna Brugge (30 Musiker) - Alexander Melnikov (Klavier)
The lovers' concerto - Mendelssohn
Program:
Contact:
- Tobias Weigold-Wimmer tobias@weigold-boehm.de +49 81 93 23 61 200
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Anima Eterna Brugge (13 Musiker)
Anima Insight: America!
Program:
Florence Price - Klavierquintett in a-Moll (Auszüge), 1936
Samuel Barber - Adagio für Streicher, 1936
Aaron Copland - Appalachian Spring (für 13 Instrumente) (1943–1944)Für dieses moderierte Konzert bewegt sich Anima Eterna in zwei Richtungen: Zum einen wird die historisch informierte Erforschung des US-amerikanischen Repertoires der 1930er und 1940er Jahre fortgesetzt, wie sie bereits mit der Musik von Gershwin begonnen wurde, zum anderen werden Werke in kleiner Besetzung, von Kammermusik bis zu Kammerorchester, aufgeführt. Im Zentrum des Programms steht ein Meisterwerk: die Originalversion von 1944 für 13 Instrumente des Balletts, das der junge Aaron Copland für die amerikanische Choreografin Martha Graham komponierte. Das berühmte Adagio von Barber wird erstmals auf den Streichinstrumenten der damaligen Zeit aufgeführt, und das Klavierquintett der afroamerikanischen Komponistin Florence Price, die derzeit wiederentdeckt wird, vervollständigt dieses ebenso außergewöhnliche Programm.
Contact:
- Tobias Weigold-Wimmer tobias@weigold-boehm.de +49 81 93 23 61 200
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Further dates upon request
Anima Eterna Brugge (33 Musiker) - Richard Egarr
Licht & Schatten
Program:
W.A. Mozart:
Sinfonie Nr. 40 in g-Moll K.550 (1788) - 35'
Konzert für Klarinette und Orchester in A-Dur KV 622 (1791) – 25’Contact:
- Tobias Weigold-Wimmer tobias@weigold-boehm.de +49 81 93 23 61 200
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Anima Eterna Brugge (46 Musiker) - Alexander Melnikov (Klavier & Leitung)
Central European Landscapes - At the Heart of European Music
Program:
Antonín Dvořák (arr. Josef Suk) - Auszüge aus Les Cyprès B.152 (Cypřiše)
Leoš Janáček - Concertino (1925)
Vítězslava Kaprálová - Partita für Streicher & Klavier solo (1939)***
Béla Bartók - Musik für Saiteninstrumente, Schlagzeug und Celesta (1936)At the Heart of European Music
Alexander Melnikov and Anima Eterna explore, on period instruments, three masterpieces that shape the musical landscape of Mitteleuropa at the time.It is first to 19th-century Czech music that Alexander Melnikov and Anima Eterna pay tribute at the outset of this journey. For Dvořák is undoubtedly the first to infuse a deeply Czech inspiration into the European musical spirit. Janáček’s Concertino is an ode to nature where horns become hedgehogs and clarinets squirrels, while owls sing at nightfall. The now-famous Partita Op. 20 by Kaprálová is the culmination of her work in Paris with Martinů, revealing the extraordinary talent of a composer whose life was tragically cut short. Finally, the Music for Strings, Percussion and Celesta stands as one of Bartók’s masterpieces. From its austere and somber opening fugue to its brilliant, folk-tinged finale, passing through its magical and evocative nocturne, it is an exceptional distillation of the composer’s artistry.
Contact:
- Tobias Weigold-Wimmer tobias@weigold-boehm.de +49 81 93 23 61 200
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Anima Eterna Brugge (46 Musiker) - Alexander Melnikov (Klavier & Leitung)
Central European Landscapes - At the Heart of European Music
Program:
Antonín Dvořák (arr. Josef Suk) - Auszüge aus Les Cyprès B.152 (Cypřiše)
Leoš Janáček - Concertino (1925)
Vítězslava Kaprálová - Partita für Streicher & Klavier solo (1939)***
Béla Bartók - Musik für Saiteninstrumente, Schlagzeug und Celesta (1936)At the Heart of European Music
Alexander Melnikov and Anima Eterna explore, on period instruments, three masterpieces that shape the musical landscape of Mitteleuropa at the time. It is first to 19th-century Czech music that Alexander Melnikov and Anima Eterna pay tribute at the outset of this journey. For Dvořák is undoubtedly the first to infuse a deeply Czech inspiration into the European musical spirit. Janáček’s Concertino is an ode to nature where horns become hedgehogs and clarinets squirrels, while owls sing at nightfall. The now-famous Partita Op. 20 by Kaprálová is the culmination of her work in Paris with Martinů, revealing the extraordinary talent of a composer whose life was tragically cut short. Finally, the Music for Strings, Percussion and Celesta stands as one of Bartók’s masterpieces. From its austere and somber opening fugue to its brilliant, folk-tinged finale, passing through its magical and evocative nocturne, it is an exceptional distillation of the composer’s artistry.
Contact:
- Tobias Weigold-Wimmer tobias@weigold-boehm.de +49 81 93 23 61 200