Weigold&Böhm


  • Lisa Batiashvili

    Lisa Batiashvili
  • Denys Proshayev

    Denys Proshayev
  • David Garrett

    David Garrett
  • Concerto Köln

    Concerto Köln
  • Nicola Benedetti

    Nicola Benedetti
  • Venice Baroque Orchestra

    Venice Baroque Orchestra
  • Jos van Immerseel

    Jos van Immerseel
  • Philippe Jaroussky

    Philippe Jaroussky
  • Giuliano Carmignola

    Giuliano Carmignola
  • Miguel Harth-Bedoya

    Miguel Harth-Bedoya
  • Anima Eterna Brügge

    Anima Eterna Brügge
  • Chouchane Siranossian

    Chouchane Siranossian
  • Tal & Groethuysen

    Tal & Groethuysen
  • Alexandre Tharaud

    Alexandre Tharaud
  • Andrea Marcon

    Andrea Marcon
  • Rundfunk-Sinfonieorchester Berlin

    Rundfunk-Sinfonieorchester Berlin
  • Raphaela Gromes

  • Jean-Yves Thibaudet

    Jean-Yves Thibaudet
  • Jean Rondeau

    Jean Rondeau
  • Javier Perianes

    Javier Perianes
  • Russische Nationalphilharmonie

    Russische Nationalphilharmonie
  • Shao-Chia Lü

    Shao-Chia Lü
  • La Cetra Basel

    La Cetra Basel
  • Orfeo 55

    Orfeo 55
  • Katia & Marielle Labèque

    Katia & Marielle Labèque
  • Regensburger Domspatzen

    Regensburger Domspatzen
  • Ensemble Artaserse

    Ensemble Artaserse

“Barricades” von Jean Rondeau ist Album der Woche von Presto Classical

Das neue Album “Barricades” von Jean Rondeau und Thomas Dunford ist das Album der Woche von Presto Classical.

In der Begründung heißt es:  

“Although the Rondeau-Dunford duo cultivate an air of mystery – perhaps deliberately – as to what this album is really about, the selection of characterful pieces they perform, and the sensitivity they bring to them, are more than enough of a raison d’être in their own right.”

“Rondeau, meanwhile, revels in the quasi-improvisatory quality of two preludes by Couperin and Jean-Henri d’Anglebert. The harpsichord is undoubtedly the more flamboyant of the two instruments, but even when given free rein there’s sensitivity and just a hint of reserve in his playing; he is evidently at pains never to let the music become brash.”

Der Artikel ist unter folgendem Link verfügbar.

Bild: © Parlophone Records Ltd