Weigold&Böhm


  • Lisa Batiashvili

    Lisa Batiashvili
  • Denys Proshayev

    Denys Proshayev
  • David Garrett

    David Garrett
  • Concerto Köln

    Concerto Köln
  • Nicola Benedetti

    Nicola Benedetti
  • Venice Baroque Orchestra

    Venice Baroque Orchestra
  • Jos van Immerseel

    Jos van Immerseel
  • Philippe Jaroussky

    Philippe Jaroussky
  • Giuliano Carmignola

    Giuliano Carmignola
  • Miguel Harth-Bedoya

    Miguel Harth-Bedoya
  • Anima Eterna Brügge

    Anima Eterna Brügge
  • Chouchane Siranossian

    Chouchane Siranossian
  • Tal & Groethuysen

    Tal & Groethuysen
  • Alexandre Tharaud

    Alexandre Tharaud
  • Andrea Marcon

    Andrea Marcon
  • Rundfunk-Sinfonieorchester Berlin

    Rundfunk-Sinfonieorchester Berlin
  • Raphaela Gromes

  • Jean-Yves Thibaudet

    Jean-Yves Thibaudet
  • Javier Perianes

    Javier Perianes
  • Jean Rondeau

    Jean Rondeau
  • Russische Nationalphilharmonie

    Russische Nationalphilharmonie
  • Shao-Chia Lü

    Shao-Chia Lü
  • La Cetra Basel

    La Cetra Basel
  • Orfeo 55

    Orfeo 55
  • Katia & Marielle Labèque

    Katia & Marielle Labèque
  • Regensburger Domspatzen

    Regensburger Domspatzen
  • Ensemble Artaserse

    Ensemble Artaserse

Outstanding performance of Lisa Batiashvili with the Munich Philharmonic Orchestra

Instead of the three planned concerts, Lisa Batiashvili could "only" be experienced with the Munich Philharmonic Orchestra in an online stream in January 2021. But she still managed to thrill the audience and the press with this one. Under the baton of Zubin Mehta, she played an outstanding violin concerto by Ludwig van Beethoven:

 

"In general, she approaches this famous work fearlessly, meeting it, where necessary, with humility, without sacrificing virtuosity. Already in the demanding first movement, which combines classical form with romantic motifs, Batiashvili shows her versatility: equally precise in low and high notes and with a tastefully measured tone, she accentuates the runs without interrupting their flow. [...] In the equal dialogue of the Larghetto, soloist and orchestra respectfully let each other finish, before Batiashvili shows her dance-cheeky side in the final Rondo." (Süddeutsche Zeitung, 01.02.2021, Sarah Maderer)

If at times the development even stands almost still, as if hypnotised, violinist Lisa Batiashvili knows how to fill this time. Her tone is of crystalline sweetness, but without cloyingness, her phrasing glides elegantly along, but in the cadenza she heads energetically towards a climax with a glowing tone. (Abendzeitung, 03.02.2021, Michael Bastian Weiß)