Weigold&Böhm


  • Lisa Batiashvili

    Lisa Batiashvili
  • Denys Proshayev

    Denys Proshayev
  • David Garrett

    David Garrett
  • Concerto Köln

    Concerto Köln
  • Nicola Benedetti

    Nicola Benedetti
  • Venice Baroque Orchestra

    Venice Baroque Orchestra
  • Jos van Immerseel

    Jos van Immerseel
  • Philippe Jaroussky

    Philippe Jaroussky
  • Giuliano Carmignola

    Giuliano Carmignola
  • Miguel Harth-Bedoya

    Miguel Harth-Bedoya
  • Anima Eterna Brügge

    Anima Eterna Brügge
  • Chouchane Siranossian

    Chouchane Siranossian
  • Tal & Groethuysen

    Tal & Groethuysen
  • Alexandre Tharaud

    Alexandre Tharaud
  • Andrea Marcon

    Andrea Marcon
  • Rundfunk-Sinfonieorchester Berlin

    Rundfunk-Sinfonieorchester Berlin
  • Raphaela Gromes

  • Jean-Yves Thibaudet

    Jean-Yves Thibaudet
  • Javier Perianes

    Javier Perianes
  • Jean Rondeau

    Jean Rondeau
  • Russische Nationalphilharmonie

    Russische Nationalphilharmonie
  • Shao-Chia Lü

    Shao-Chia Lü
  • La Cetra Basel

    La Cetra Basel
  • Orfeo 55

    Orfeo 55
  • Katia & Marielle Labèque

    Katia & Marielle Labèque
  • Regensburger Domspatzen

    Regensburger Domspatzen
  • Ensemble Artaserse

    Ensemble Artaserse

"Wundersopranistin" Julia Lezhneva at Mozartwoche Salzburg

Julia Lezhneva shone at the Mozartwoche 2020 in Salzburg and inspired critics and audience alike. In "Le nozze di Figaro" she sang a Barbarina of "festival format" and together with L'arpeggiata she conquered the audience with the "Ode to St. Cecilia" and Vespers KV 339. The Süddeutsche Zeitung even spoke of the "miraculous soprano Julia Lezhneva" in its article. The SZ further writes: "She (Julia Lezhneva) can almost make her voice disappear, performing the craziest vocal tricks and garland fireworks, and all this with a look that says nothing else but: "What's wrong with you? What's the matter?" She can also, in the "Laudate Dominum" of Mozart's vespers, spread a supernatural calm in which the world spirit seems to speak directly to the people." (Link to article)

more press comments on Julia Lezhneva at the Mozartwoche:

Oberösterreichisches Volksblatt: "...and the deliciously naive Barbara of Julia Lezhneva are the absolute top as the elite of Mozart interpreters." (Link to article)

The standard: "...but while Julia Lezhneva gave a Barberina of festival stature." (Link to article)

DrehPunktKultur: "... the Laudate Dominum Psalm 116, the legendary soprano aria, was a ray of hope - and a radiant one at that: Julia Lezhneva let the beguiling lines flow with beguiling pianissimi. (Link to article)