Weigold&Böhm


  • Lisa Batiashvili

    Lisa Batiashvili
  • Denys Proshayev

    Denys Proshayev
  • David Garrett

    David Garrett
  • Concerto Köln

    Concerto Köln
  • Nicola Benedetti

    Nicola Benedetti
  • Venice Baroque Orchestra

    Venice Baroque Orchestra
  • Jos van Immerseel

    Jos van Immerseel
  • Philippe Jaroussky

    Philippe Jaroussky
  • Giuliano Carmignola

    Giuliano Carmignola
  • Miguel Harth-Bedoya

    Miguel Harth-Bedoya
  • Anima Eterna Brügge

    Anima Eterna Brügge
  • Gautier Capuçon

    Gautier Capuçon
  • Tal & Groethuysen

    Tal & Groethuysen
  • Alexandre Tharaud

    Alexandre Tharaud
  • Andrea Marcon

    Andrea Marcon
  • Rundfunk-Sinfonieorchester Berlin

    Rundfunk-Sinfonieorchester Berlin
  • Raphaela Gromes

  • Jean-Yves Thibaudet

    Jean-Yves Thibaudet
  • Javier Perianes

    Javier Perianes
  • Jean Rondeau

    Jean Rondeau
  • Russische Nationalphilharmonie

    Russische Nationalphilharmonie
  • Shao-Chia Lü

    Shao-Chia Lü
  • La Cetra Basel

    La Cetra Basel
  • Orfeo 55

    Orfeo 55
  • Katia & Marielle Labèque

    Katia & Marielle Labèque
  • Regensburger Domspatzen

    Regensburger Domspatzen
  • Ensemble Artaserse

    Ensemble Artaserse

David Garrett delights with the BBC Philharmonic Orchestra in Lucerne

David Garrett performed in Lucerne as soloist with the BBC Philharmonic Orchestra and presented the Concerto for Violin and Orchestra in D Major, Op. 35 by Peter Tchaikovsky. Under the baton of Juanio Mena on March 17th, 2017 in the sold-out concert hall of the KKL Lucerne, the violin star demonstrated his virtuosity and wowed the audience. In addition to the violin concerto, Garrett's encore in which the orchestra accompanied him with pizzicati like a large guitar, received particular applause. Critics were equally delighted by the concert and in particular by Garrett's interpretation of Tchaikovsky.

“The folklorically-inspired Finale certainly provided an ideal playground. But until then, Garrett once again leaves the most personal of impressions where, like his chat on the conductor's podium, the music withdrew into its private spheres: how, in the slow movement, Garrett let the simple melodies search, speak and sing, diversely blending them into the orchestra soli, was first-class in terms of artistic spontaneity.” (Zentralschweiz am Sonntag, March 19th, 2017)